manager of Apple Records was among the handful of insiders present at the rooftop concert that day. Despite the fact that we knew everything that happened afterward. But, what made it worthwhile was the rooftop, y'know? Because when I left that theater, I was this far off the ground. And then you're recording it - the comparison I made in the book is kind of Nixon's 'The Watergate Tapes,' you have no idea that this stuff is going to comeback to haunt you forever."]īeatlefan magazine's executive editor Al Sussman saw the film within days of its premiere and was left speechless by the group's live swan song: "It was really depressing.
But then it was, 'Let's make it an album and a film, and we're going to make the album a film of us doing a concert of songs we've never recorded before.' It's kind of like trying to do too much at once. Y'know, even before they assembled in January, the idea was, 'Let's get back to playing as a live band' - pretty good idea. But across the board, both critics and fans agreed on the power of the group's triumphant rooftop set.Īuthor Ritchie Unterberger chronicled the prolonged Get Back/Let It Be sessions in his book, titled The Unreleased Beatles: "They had bitten off more than they could chew. Reviews for the film, which was released a month after the group's breakup, were mixed, citing the sluggish and depressing nature of the film, as well as director Michael Lindsay-Hogg's sloppy editorial choices. A major highlight of the film is the final sequence, when the Beatles play in impromptu set on the Apple headquarters rooftop, featuring "Get Back," "Dig A Pony," "I've Got A Feeling," "Don't Let Me Down," and "One After 909." Filmed on January 30th, 1969, it would be the band's final public performance.
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The movie lightens up considerably during the second half, when the filming moved to the group's new Apple basement studios, with the addition of keyboardist Billy Preston. McCartney explained that unconsciously, the Beatles were actually telling the world that they were breaking up: "In fact what happened was when we got in there we showed how the breakup of a group works because we didn't realize that we were actually breaking up, y'know as it was happening." The tension between the group is palpable, especially during the sequence where Harrison and McCartney argue over Harrison's playing on the song "Two Of Us." in a strange place with people filming you and colored lights." And we'd be there at eight in the morning and you couldn't make music at eight in the morning, or 10, or whatever it was. In 1970 John Lennon recalled the nearly month-long film shoot saying: "It was just a dreadful, dreadful feeling being filmed all the time. It was to do a live album."Īmong the songs featured in the film are "Let It Be," "Get Back," "Don't Let Me Down," "Maxwell's Silver Hammer," "For You Blue," "Octopus' Garden," "I Me Mine," "Across The Universe," and "The Long And Winding Road," and covers of "Besame Mucho," "Shake, Rattle And Roll," and "Kansas City," among many others. I suppose kinda like they do these days on Unplugged, except, y'know, it wasn't to be unplugged.
George Harrison, who was the least invested member of the band in regards to returning to the stage, recalled the band's initial plan: "I think the original idea was to rehearse some new songs, and then we were going to pick a location and record the album of the songs in a concert. And we started rehearsing down at Twickenham film studios, and I went along with them." They did actually come up with a very good idea, which I thought was well worth working on The wanted to write an album completely and rehearse it and then perform it in front of a large audience - and for that to be a live album of new material. And they were trying to think of something new. Producer George Martin recalled in The Beatles Anthology that the Let It Be project held great promise in the beginning: "They were going through a very, very revolutionary period at that time.
The first part of the film shows the strain of the early morning sessions held in a cavernous soundstage at London's Twickenham film studios. The early rehearsals captured the group, along with John Lennon's soon-to-be wife Yoko Ono, clearly bored, with only Paul McCartney showing any real enthusiasm for the new material.
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The film, which was shot in January 1969, was originally intended to be a TV special called Get Back featuring the group rehearsing for their first live show in over two years. It was 45 years ago today (May 13th, 1970), that the Beatles' final movie, Let It Be, received its U.S.
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